Focalín, No. 11
| Date: | 1978 c. |
|---|---|
| Publication: | Focalín |
| Issue: | Number 11 |
| Type: | Publication Issue |
| View: | View Document |
| Discuss: | Comments on this document |
| Subjects: |
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Commentary From The Cedar Lounge Revolution
15th September 2014
Seamus, a friend , recently discovered five editions of Focalín in his attic and has loaned them for copying to the CLR Archive.
Focalín (“A wee word” for the odd reader of CLR who does not understand the First Language) was an Irish political satirical magazine produced in London in the late 1970s /early 1980s. The founders of the magazine were former supporters of the early Peoples Democracy and included an outstanding cartoonist.
Given the nature of the material in the magazine, it had a “sub rosa” flavour about it. Main targets for the magazine were Conor Cruise O’Brien, Charlie Haughey, Irish journalist Mary Kenny who was working in London at the time and legendary Gery (sic) Lawless [and his mythical(!) first lieutenant, Paddy of Cricklewood] to name but a few. One of the magazine’s exposés was the Kincora Boys Home scandal for which they got an informal tribute from Glenn Barr.
Specially recommended in this issue are the articles on the Inflatable Bodhran Kit (p3), Letters to the Editor (p4 &10), cartoon SUPERMICK and the Taxman, in fact every page (including the cover)!
The Cedar Lounge Revolution hopes to publish these five editions over the next few months [Libel laws considered!].
We estimate that at least twenty issues of the magazine were published. Any of our readers got any further copies in their attics?
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By: Phil Mon, 15 Sep 2014 11:08:37
Any idea exactly when this was from? I like the story about the fine indigenous musical tradition of the island (Country & Western) being driven out by a scruffy middle-class interloper (Irish Traditional Music) – it’d be interesting to date it. A friend of mine talks about how in Miltown Malbay he can hear traditional folksong any night of the week (which you’d struggle to do in Manchester or London); I guess that wasn’t always the case.
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By: Starkadder Mon, 15 Sep 2014 12:28:12
Was the “Supermick” cartoon a homage to the infamous
“SuperTrot” cartoon which ran in the British “Rebel” magazine?
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By: AonRud Mon, 15 Sep 2014 22:00:26
In reply to Phil.
The letters and press cuttings are dated 1978.
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By: Joe Tue, 16 Sep 2014 07:59:08
In reply to Phil.
I think I get Liberius’ point about Irish trad music now. He was trying to tell us he’s a Country and Western fan. That’s ok, pal. We are not sectarian here. 🙂
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By: Marius Paul O'Shea Mon, 19 Oct 2015 09:11:22
In reply to Starkadder.
No, it wasn’t. I’m the cartoonist (still alive and well and living (?) in the Middle East before returning to Australia in December 2015. A group of us who’d all known each other in Belfast and were then living in London (safety not guaranteed in N.I.) felt we still had a lot to say about what was going on so we set up Focalin as our platform. Apart from the first issue I drew Supermick, the front cover, single cartoons and a visual history of Ireland (sadly unfinished) before we decided to finish as we felt we were getting too far away from direct involvement in the political action. We even got a mention (disparaging) in Julia O’Faolain’s novel, No Country For Young Men (1987), who thought we were an organ of the British secret service. We thanked her by publishing a ribald article involving her and pineapples (read the book).
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By: Victor Marsillo Wed, 14 Mar 2018 18:23:34
In reply to Marius Paul O’Shea.
Hi, Marius. I’ve tried sending you a message on Facebook, though I don’t think you’ve seen it, thanks to the way messages from non-friends are handled by the system.
The reason I’m reaching out is because I’m working on a reference guide to Irish alternative and underground comix and was wondering if you’d done any other comics outside of Focalin, or know of any others being done in that same vein (I’m well aware of Belfast Peoples Comic and Resistance Comics). On a related note, have you ever seen a comic entitled “Rosc Dubh”? It was supposedly published in Belfast in the mid ’70s and was entirely in Gaelic.
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